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ButohBrunch

Programm

Iván-Daniel Espinosa & Company (US) 

                                                              Bowels of the Earth

ArtistTalk

                                                      Artists speak about their

                                                personal approach to Butoh

Meet the Artist

                                                              Chat with the artists

                                                                    over a cup of tea

Date:

18.10.2025, 10:00

Location:

OFF Theater I white:box

Kirchengasse 41, 1070 Wien, Austria

Fee:

EUR 25

Tickets:

Mail: office@butoh-danimayu.com

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Iván-Daniel Espinosa & Company (US)
                                               Bowels of the Earth

Bowels of the Earth is a meditation on the human body’s connection to decomposition.  My choreography takes its inspiration from a text by the founder of Butoh Tatsumi Hijikata known as "Kaze Daruma" (Wind Daruma).  Originally titled “Suijakutai no saishū” (Collection of Emaciated Body), this text was delivered as a lecture by Hijikata the night before the 1985 Tokyo Butoh Festival.  In this lecture, Hijikata emphasized the body’s somatic intimacy with mud and soil and portrayed Butoh as a unique type of performed ecological knowledge that disrupts Western ideologies of delineated corporeality and their preconditioned behaviors. 

Also, in his lecture, Hijikata touches on the theme of what he termed "suijakutai" (the emaciated body), and how the performance of this ‘emaciated body’ in Butoh excavates the relationship between life and death.

Indeed, from its inception, the theme of death has been recurring, if not instrumental, in Butoh.  As the founder and chief architect of Butoh, Hijikata is quoted as saying such things as, “Butoh is a corpse standing upright in a desperate bid for life” and “we shake hands with the dead, who send us encouragement from beyond our body; this is the unlimited power of Butoh.”

Decomposition is what happens to the human body after death: we return to the soil, and become a part of the subterranean earth.  Decomposition is also the force of nature that radically transforms the dying human self into new life.  How can choreographies of decomposition in performance act as a kind of ecological methodology, reminding us that we are not separate from nature and the environment nor from the decaying aspects of life in which all beings, bodies, and entities are entangled?

 

In its descent toward the mud and sod of the earth, Butoh invites us to directly commune with death and decomposition.

In the words of Hijikata, 'the dancer, through the Butoh spirit, confronts the origins of his fears: a dance which crawls towards the bowels of the earth.'

Duration: 35 minutes

Choreography: Iván-Daniel Espinosa

Dance: Harlan Rosen, Corin Wiggins, Stefan Bach, Arlo Sage King,  Iván-Daniel Espinosa

Commissioned soundscape composed by:  Christopher Arnett

About

IVAN-DANIEL ESPINOSA is a choreographer and Butoh artist that creates interdisciplinary artwork engaged with ecology, climate change, and interspecies performance. He is a current PhD Candidate in Theatre and Performance Studies at the University of Colorado-Boulder and he also holds a Master of Arts in Performance Studies from New York University’s Tisch School of the Arts.  Iván-Daniel has presented his ecology-themed stage performances and installation art nationwide at venues such as La Mama Experimental Theatre in NYC, Boulder Museum of Contemporary Art, Seattle International Butoh Festival, Portland Butoh Festival, and at numerous academic conferences including UCLA Center for Performance Studies, Goddard College Interdisciplinary Arts Residency and York University School of Arts, Media, Performance & Design in Toronto, Canada.

Iván-Daniel’s choreographies are highly influenced by his extensive studies of Japanese Butoh.  Since 2013, Iván-Daniel has trained with numerous Butoh master teachers from Japan including Natsu Nakajima, Saga Kobayashi, Moe Yamamoto, Koichi and Hiroko Tamano, Eiko & Koma, and Yuko Kaseki.

Iván-Daniel began his formative Butoh training in Seattle with Northwest Butoh pioneer JOAN LAAGE, who continues to serve as his foremost teacher and artistic collaborator to this day.  Iván-Daniel is the Founder & Executive Producer of the SALISH SEA BUTOH Festival, an annual dance festival that takes place on the Olympic Peninsula to deepen the study of Butoh with artists from all over the world.

                                                                                                 www.salishseabutoh.com

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Artist Talk
                                                     Host: DaniMayu

We are happy to present some personal thoughts on Butoh from:

- Tina BESNARD

- Yuko KOBAYASHI

- Joan LAAGE I Kogut Butoh

- Ken MAI

- Maruska RONCHI

- Sofya SHAIKUT

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Meet the Artist                                                   

A cup of tea, some Japanese sweets and a privat talk with a Butoh-ka - Sunday couldn't start better!

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